Politiken May 22 2004, “Junge Hunde
Dance review by Janus Kodal:
“The truly beautiful abstract solo “broken” performed by Berit Grube, choreographed and light designed by Jean-Hugues Miredin goes right under your skin. With inspiration from Butoh Berit and Jean-hugues take us to a painful motion journey where dead flesh crawls on the floor and the back contorts itself in sharp precise movements. The constant tension and sustain concentration in “Broken” give us something to think about even after we have left the theater. “ A little masterpiece it is.”
Vibeke Wern:
“Broken” a true little pearl.
Warm dance
By Vibeke Wern
Sofie Christiansen and guest choreographer Jacky Miredin,
Have a fling of their own.
Jacky Miredin is known in our country for his participation in performances by i.e. Anders Christiansen, Kenneth Kreutzmann. Now we have had the opportunity to experience Jacky Miredin as a choreographer in the strictly timed duet “ Menage a toi”. Where, through a restrained movement material and with a sense for the details, he is able to create a great sensitivity between the two men; delicately danced by Lars Krebs and Reidar Sjoset.
Altogether the performance left us with a warm and uplifted feeling. One left the “ Medborgerhuset Indre by” (community center inner city) with the happy disposition that somebody has the courage and the initiative to create quality dance outside the established dance scene.
Weekendavisen
By Majbrit Hjelmsbo
10. – 16. November 2000
Camilla Stage dance performance:
Blote
(…) Jordi Puigdefabrgas in the performance Blote personifies a strong man that we can weakens while fighting with Jean-Hugues Miredin dark demon that jumps at him with the lightness of a nightmare.
At the end of the journey Jean-Hugues Miredin is a divine dancer. Also when in a formalistic middle age dance he courteously flirts with Cristiana Batistella, who reveals a burning desire in the aggressively erotic will/will not apotheosis with Miredin’s stylized male as a semen donor to the receiving womb of the woman.
Ekstra Bladet
"Life and death"
By Janus Kobal
A heavy cloud of mythology floats over the new performance Blodstov (blood dust) by Camilla Stage. Through the performance it snows dust, the element are in outbreak and soon blood is dripping from the theater’s sky.
However it is specially the dancer Jean-Hugues Miredin who has studied in the USA, that impresses us the most. He is the greatest and most precise feature in “blood dust”.
A great performance well worth opening one senses to a good and promising beginning to the new season at “Dansescenen”.
Weekendavisen
1. – 7. October 1999
By Marjbrit Simonsen
A completely different and abstract visual magic is present in Camilla Stage new dance performance. “Lys” (light) at “Dansescenen” in Copenhagen.
As previous performances of Camilla Stage it is once more the elements of nature, religion and the interaction between nightmare and dreams, which forms the turning point of the choreographer’s choice of symbols.
In this performance we can once again appreciate Jean-Hugues Miredin performing skills when he smoothly clings around his three colleagues as an angel of tenderness before withdrawing and stars swinging his arms with glittering disco balls like shooting stars in his hands.
Dance review by Janus Kodal:
“The truly beautiful abstract solo “broken” performed by Berit Grube, choreographed and light designed by Jean-Hugues Miredin goes right under your skin. With inspiration from Butoh Berit and Jean-hugues take us to a painful motion journey where dead flesh crawls on the floor and the back contorts itself in sharp precise movements. The constant tension and sustain concentration in “Broken” give us something to think about even after we have left the theater. “ A little masterpiece it is.”
Vibeke Wern:
“Broken” a true little pearl.
Warm dance
By Vibeke Wern
Sofie Christiansen and guest choreographer Jacky Miredin,
Have a fling of their own.
Jacky Miredin is known in our country for his participation in performances by i.e. Anders Christiansen, Kenneth Kreutzmann. Now we have had the opportunity to experience Jacky Miredin as a choreographer in the strictly timed duet “ Menage a toi”. Where, through a restrained movement material and with a sense for the details, he is able to create a great sensitivity between the two men; delicately danced by Lars Krebs and Reidar Sjoset.
Altogether the performance left us with a warm and uplifted feeling. One left the “ Medborgerhuset Indre by” (community center inner city) with the happy disposition that somebody has the courage and the initiative to create quality dance outside the established dance scene.
Weekendavisen
By Majbrit Hjelmsbo
10. – 16. November 2000
Camilla Stage dance performance:
Blote
(…) Jordi Puigdefabrgas in the performance Blote personifies a strong man that we can weakens while fighting with Jean-Hugues Miredin dark demon that jumps at him with the lightness of a nightmare.
At the end of the journey Jean-Hugues Miredin is a divine dancer. Also when in a formalistic middle age dance he courteously flirts with Cristiana Batistella, who reveals a burning desire in the aggressively erotic will/will not apotheosis with Miredin’s stylized male as a semen donor to the receiving womb of the woman.
Ekstra Bladet
"Life and death"
By Janus Kobal
A heavy cloud of mythology floats over the new performance Blodstov (blood dust) by Camilla Stage. Through the performance it snows dust, the element are in outbreak and soon blood is dripping from the theater’s sky.
However it is specially the dancer Jean-Hugues Miredin who has studied in the USA, that impresses us the most. He is the greatest and most precise feature in “blood dust”.
A great performance well worth opening one senses to a good and promising beginning to the new season at “Dansescenen”.
Weekendavisen
1. – 7. October 1999
By Marjbrit Simonsen
A completely different and abstract visual magic is present in Camilla Stage new dance performance. “Lys” (light) at “Dansescenen” in Copenhagen.
As previous performances of Camilla Stage it is once more the elements of nature, religion and the interaction between nightmare and dreams, which forms the turning point of the choreographer’s choice of symbols.
In this performance we can once again appreciate Jean-Hugues Miredin performing skills when he smoothly clings around his three colleagues as an angel of tenderness before withdrawing and stars swinging his arms with glittering disco balls like shooting stars in his hands.
